This first week of 2009, I’m looking through my music library to get some new ideas for my gigs. The First Night performances I did on New Year’s Eve convinced me that I people would really enjoy some more of the transcriptions of African xylophone music. I’ve been performing Kpanlogo, which people really like. I’m thinking of adding Lo Ben Doma and maybe another one. (shout out to Valerie Naranjo for transcribing this music and making it available!)

It’s still difficult to come up with good choices that are also pieces I like. For my formal concerts, I am finishing up learningĀ a Latin American set of pieces that will be fun. I have almost finished memorizing Zamba para Escuchar tu Silencio by Guillio Espel. It’s a beautiful piece. Also, Milonga by Cardosa (he’s a Uruguayan guitarist). I’m thinking about perhaps one of the Villa Lobos Preludes for guitar. Interestingly, my favorite preludes are not the ones that Makoto is performing.

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Just added some files to the “For My Students” page, including some articles, handouts from some of my clinics and a link to the Indiana State School Music Association (ISSMA).

This organization runs the solo and ensemble contests. They have had professional percussionists give input in to the repertoire and the “test” materials. This is detailed in an excellent handbook that can be downloaded from their site.

This handbook has a page that shows the expected performance tempo of each rudiment, for each playing level (from beginning to advanced – Group V to Group I).

I linked to the audio files of the 26 rudiments.

A great resource for everyone.